Audio engineering is painting a picture.
Every listener and viewer deserves to feel the story.
The work found Muna through Matty Peevers, who opened the door at Supersonic Africa in 2017. What followed was eight years inside some of East Africa's most significant productions - heard on Netflix, BBC Africa Eye, Sony Television and three seasons of Coke Studio Africa.
Good audio is invisible. The job is to disappear completely - leaving only the story, the emotion, and the experience the audience was always supposed to have. Every project, she immerses in as if it were personal to her.
Case Number Zero: The Disappearance of Bogonko Bosire was her first podcast series - and the project that made her fall in love with the format. The audio arrived as difficult field recordings from noisy Nairobi environments. She didn't just edit it. She helped produce it. The gap between what she received and what she delivered is where her craft lives.
Audio engineering is the foundation of every service - make it invisible, make it felt. On-site for recordings across Nairobi and Kenya. Remote for all editing and delivery. International clients welcome.
The craft underneath every production. Studio sessions, difficult field audio, archive tape - Muna shapes it into something that belongs in the final cut. This is where the work starts. Always.
From raw recording to a series people come back for. Edit, pacing, sound and coordination - all handled.
Corporate and brand video editing from long-form to 5-second stingers. Built for the brief, finished for the audience.
Long-form storytelling edited with the weight and care the story deserves. Social impact, investigative, NGO-commissioned.
Fast, precise, broadcast-ready. Delivered for some of Kenya's most recognisable brands - on brief, on time.
A trusted creative partner week after week. Consistent quality, reliable schedule - from the first episode to the last.
Investigative podcasts, BBC documentaries, Cannes-selected short films, music television and Kenya's most-heard adverts. Completed and delivered work only. More on request.
7-part investigative series. Field audio engineering and production - raw recordings from noisy Nairobi environments shaped into a broadcast-standard series.
Listen on Nation Africa →A BBC Africa Eye documentary exploring mental health across East Africa. Audio engineering and post-production to international broadcast specification.
Watch on BBC Africa Eye →Three seasons of Africa's flagship music television programme - 2016, 2017 and 2019. Live studio recording, mixing and post-production.
A Kenyan short drama directed by Lydia Matata - exploring disability, sexuality and inclusivity. Audio engineering for a film that screened internationally.
In Turkana County, where healthcare facilities are scarce, a birthing stool is transforming women's lives - bridging cultural practice and modern healthcare. Through the story of mothers like Alim Longor, this film explores how tradition and modernity coexist to save lives.
Watch on YouTube →TV and radio adverts for Kenya's most recognisable brands across telecoms, retail and financial services.
A podcast is not a film. A film is not an advert. Select your project type to see how Muna works through it.
Full brief before anything is opened - story, audience, tone, episode structure. A podcast that isn't understood before it's edited shows in the cut.
Your project gets its own dedicated slot. No overlap. You get her full focus - not a fraction of it.
On-site for recording sessions, or working from submitted files. She listens to everything before she cuts anything.
Pacing, atmosphere, dialogue, music - shaped into something the listener won't stop. The story is built in the edit.
Revisions built in from the start - expected, not extra. Nothing goes to the client until it is close to final.
Broadcast-ready files on time. Separate stems on request. Clean and ready to publish.
Story, audience, format, deliverable specs - lengths, aspect ratios, markets. All agreed before a clip is loaded.
A dedicated window for your project only. No overlap. The edit gets the attention it deserves.
Structure, narrative arc and pacing established before any finishing begins. The bones have to be right.
Dialogue cleanup, music, sound design and broadcast-spec audio mix. Where the picture starts to feel complete.
Structured revision round built into the schedule. Nothing sent until it is close to final.
Broadcast-ready output on time. Separate files on request. Clean handover, no loose ends.
Brand, message, duration, broadcast spec, market. Everything agreed before a cut is made.
Fast-turnaround window for your project only. Nothing else in the slot.
Clean, precise, on spec from the first pass. Getting it right quickly without cutting corners.
Quick, structured revision round built into the turnaround. Nothing leaves until it is right.
Broadcast-ready files to spec, on time. Multiple formats on request. The job is done when the client can use it.
"Every project is different. A rate card can't account for that. A conversation can."
Send a brief and Muna will come back with a quote that reflects your actual project - not a generic starting point.
Minutes of finished content, number of cuts, formats and versions.
Standard scheduling vs. rush. Speed has an honest cost.
How many review cycles are built in.
Field audio vs. studio. Multi-track vs. single source. Multi-market vs. single version.
Deposit required upfront to reserve Muna's time in the schedule.
Dedicated time blocked. Nothing else in the slot.
Balance invoiced on delivery. Invoiced in KES.
Send a brief and Muna will respond within 24 hours on working days.
Muna takes on a limited number of projects at a time. Send a brief - the more context, the faster she can quote.
Practical specs and creative context - both help Muna quote faster and more accurately.
Muna will respond within 24 hours on working days.
Muna will be in touch on the details you provided.